So warm up your fingers and prepare to burn up your pick! Straight up and down picking, always down on the downbeat and up on the offbeat, no pull-offs or hammer-ons typical Reno guitar style.
#Two chorus tabledit lyrics plus
Other than the speed, it's a fairly straight forward tune, a lot of common Reno guitar licks plus a few of my own crazy licks that I threw in there. That is FAST!!! I wouldn't try it at that speed at your average jam. Also borrowed from that recording is the tempo - a nearly unbelievable 165 bpm (330 in 2/2 time), which is the primary reason for the expert status (you can't pull off a whole lot of super fancy fretwork at that speed unless you're Django Reinhardt or something ). This version is very heavily influenced by Don Reno's incredible performance with Buck Ryan on "Fiddler On The Rocks" - In many places, it is a note-for-note copy of part of Don's breaks. Notes: Here is the quintessential fiddle tune for guitar, "Black Mountain Rag", in the original fiddle key of A (Capo 2). Posted by KI4PRK, updated: - 2 Member Comments I need to combine and do both I suppose.Genre: Bluegrass Style: Unknown/None Chosen Key: A Tuning: EADGBE (Standard) Difficulty: Expert I guess I should be more disciplined in actually learning music instead of just playing, but I’ll never stop trying to learn by ear.
It’s sad, I wish I did know more about music theory, but on the other hand, I’m enjoying just playing. I would be the guy that DR described once in a post that if I did a break and was asked what I just did, I would have to say (in disgust) “I don’t know, it just sounds right and it fits”. I just haven’t given tabledit a chance to be honest. I can’t read music at all and I know very little about music theory, but I do use tab at times. And, it makes me work harder to pick out the details that you just don’t get from tab or standard notation. I think it keeps your mind more focused on how a song actually sounds or should sound. I think tabledit is great and all the tools we have today, but I still like to learn by ear as much as I can.
Thanks for the chords! That will save some time along with the words. Sorry that I couldn’t describe all that well in the tablature itself. For example at the very end you wind up making a neat A9 chord just by picking out the notes of the melody. In general, let the notes ring as much you can. I didn’t try to tab that except when there were long breaks (I thought it would just be confusing). Also, in general, I am lightly strumming the chord structure that I am pulling the notes out of. The index finger does the hammer on for the last beat of the preceding measure, and then just slides around to play the melody. For the double stops in measures 5 and 13 you slide your index finger around on the B string. Of course if someone wants to break out their flamenco chops, go for it. I used the rasgueado effect in tabledit as it sounded closer than any other I found, and it did give some indication it wasn’t normally picked. For the lick at the end of measure 14, it is a muted rake for the first three notes. You can get the phrasing from the attached MP3. The note length value is off a bit on some of the hammerons and such, but I wanted to display the notes I am playing for the melody. Maybe I’ll learn some Tabledit tricks in the process. I am not great with Tabledit, my apologies in advance. Of course, advanced players can add as many notes as they wish. Beginners might need to simplify a section or two, but it’s pretty straightforward (if anyone needs help with that, just let me know). I thought it’s suitable for intermediate players as it sits. I thought some others out there might enjoy it as well. Sometimes I forget that I don’t have to do something difficult to enjoy making music. It’s nice to have a simple break that I don’t have to work on a great deal and I can just enjoy making music. To be honest, I like playing this simple little break quite a bit. So I pared it back down to about where it sits (in the last few days I removed one other lick). I started adding some licks to it, but real quick it was getting to where I might not remember it later and I’d have to practice it to keep it in good shape. In about 10 or 15 minutes I had a melodic little break that I thought went with the song ok. The first one I sat down to work on was for the verse of “Where we never grow old” as done by Johnny Cash.
I decided I needed to have simple little breaks in mind for them. A group I have been playing with does a bunch of old hymns in BlueGrass or what I’ll call old country style.
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